Pandemic has forced TV and film producers to bring new technology to sets

Pandemic has forced TV and film producers to bring new technology to sets

Tech Trends

Every week this past Monday, the cast and crew of the Amazon sequel “Goliath” gathered at Santa Clarita Studios for a trial day of filming.

Despite the pandemic, the show’s fourth season is again in motion, partly thanks to the technology that helped forge and follow trial for a whole bunch of crew members, including stars like Billy Bob Thornton. are also included.

As the individuals arrived on the set, a security officer scanned the colour-coded IDs with embedded chips which could very well be learned by the portals posted on the sets. If any of them come into contact with someone who has tested positive for the disease, the chips will collect and observe information on the forged and crew’s movements.

This technology, known as protected sets, was recently launched by Culver Metropolis-based Greg Guzzetta, a former construction supervisor who has spent the past decade offering public safety technology for live concerts.

After the pandemic shut down live entertainment, 56-year-old Guzzetta formed a new company, Protected Haus Group, and prepared some of his security techniques to be used on film units.

“It allowed me to put the live event business on a shelf and it has never disappointed,” he said. “I’ve taken bits and items of different technologies that I’ve used in various fields and written some new software programs with my development staff and we came up with the protected set.”

Protected Sets is one of the latest and current technology companies that has been able to capitalize on the demand for Protected productions. These companies, which provide all the pieces from remote-operated robotic cameras to surveillance that help enforce social distancing, have emerged in response to new safety protocols on units.

These rules agreed by leisure trade associations and studios required that large constructions divide their lattice and crew into separate areas. Artists, and the people working around them, are usually in the same area and are screened several times per week. Others can be checked less often, but the two teams cannot combine.

The protocol presented new challenges for productions after the pandemic prompted them to shut down manufacturing in the spring. Although the practice hasn’t returned to pre-pandemic categories since LA County resumed issuing permits in June, productions are exploring ways to get large employees back to work on TV shows and some movies. Huh.

“The first day (when) we were there, preparing the credentials for all these people and seeing how satisfied they were all getting back to work was good enough,” Guzzetta said.

LA-based cinematographer Aaron Grasso and producer and specialist manager Josh Shadid also found inspiration for a new company after the pandemic hit.

He has created a robotic digital camera that has been used by Netflix, Warner Bros. and other studios to assist movie stars from afar for advertising campaigns for such initiatives as the upcoming “Dune” film, by chief executives. In addition to company communications.

The company said that the Solo Cinebot has also been used to shoot short sequences and plans to implement it in an upcoming indie feature.

“During the pandemic shutdown, (we) wanted to determine how to operate safely,” said Grasso, co-founder of Solo Cinebot Inc. Sounds like we can work remotely.”

He worked on improving several existing technologies to create a digital camera system that could be used by celebrities and executives and could be operated remotely by educated crew members.

He launched the Solo Cinebot venture in July, with 10 models farmed at $6,800 a day, with no other labor or manufacturing costs. Grasso said he expects his income to exceed $500,000 by the end of December.

The pandemic has also provided opportunities for companies specializing in digital productions. While production was halted, Pasadena-based Stargate Studios created digital units for the actors, reducing the number of individuals on set and the need to be on location as soon as the business was restarted.

One thing the team needs to teach is how you can work more slowly and how you can maintain social distancing in crowded places. This has created a need for wearable tracing technology that can set off alerts if crew members become too close to each other.

Still, some filmmakers have found these units, such as sports activities wearable units like the Fitbit, to be too noisy on movie units, Guzzetta said.

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